and we came up with the first set of forty patches. They offered the possibility to stack different electric piano sounds to a full-sounding harmonic background, to be heard on many Whitney Houston productions. Chaos, Creativity, and Career in Independent and Electronic Music Brian M. Sound designers found a commercial niche in programming and selling sounds for the DX7.įollowing the popularity of the DX7, other models like the TX 816 and the DX7 II were developed. Most users only referred to the factory presets, some did not even change them. The programmability and editing of the DX7 seemed too complicated and user-unfriendly for non-specialized synthesists. The DX7 indeed came up with a number of admirable sounds, was compact and lightweight, but also had some disadvantages. Although subtractive synthesis built the basis for almost all analog synthesizers during the 1970s, it did not offer the possibility to create more complex sound structures. The FM synthesis emulates piano-, bass- or bell-like sounds with more authenticity than those based on substractive synthesis (e. The DX7 underlying FM (Frequency Modulation) synthesis with its percussive and clear sounds is significant for many songs in the 1980s.
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